UGX20,000
“When I was a baby
You were seated comfortably
Now I have a baby
Who asks me if you remember
What it feels like
To be on your feet
To be in motion
In search of something better
For everyone
I was a baby
And you were seated comfortably
Now I have a baby
Who asks me
If you remember
What it means
To travel to homes
Which do not resemble yours.
To visit relatives who
Are forced to explain why toilets
Don’t flush anymore.”
When I was a baby, Nabukeera Pauline S.4 2020
The poems in this anthology were written during the poetry training conducted by Kitara Nation at St. Joseph’s Girls’ S.S.S Nsambya (JOGINSA). The poems express themselves on a range of issues in society like politics, culture, God, domestic violence, among others. This impressive anthology proves the potential that exists among young people if they are given the opportunity to be creative.
ISBN: 9-798654- 857293
Format: Paperback and Kindle Version
Language: English
Number of Pages: 70
Published: 2020
Publisher: Kitara Nation
Only logged in customers who have purchased this product may leave a review.
DON’T LOVE ME IN ENGLISH brilliantly tells the journey of the persona in poetry through Kampala taxi-rides, men’s public objectification of women, the quest for love and the pain of the heart-break and the power of resilience. This wonderful collection highlights issues of gender, religion and culture. A must-read for all teenage girls.
“The young writers have vehemently demonstrated their frustrations, puzzles and hopes in a society with adults swallowed in know-it-all snobbery. The poetic arrows in this poetry collection declare war on societal silence on things that matter most and draw lines to proper order of the ideal society, a society in which they would love to dwell now as children and tomorrow as adults. It is a reflective collection of thoughts with thousands of options of solutions to our fears. It is work you wouldn’t abandon to dust.”
-Kened. B. Ngiise iii, teacher, poet/writer.
“I think of Rusho’s LIGHT as an act of taking the veil off the world; of the man he is, and that of the people around him. I am deliberate about calling it an act because it’s memory in motion. Each poem dances below a bulb at its own tempo and intent. Some of them seek it, the spot, while others avoid it so that the pains and injustices in their bodies aren’t seen. But a lot is on display still, even during moments of darkness. Questions about gender and the human body, loss, relationships, the country, self, and so on. I admire the bravery by which he writes about himself. What drives a man to speak about himself with such honesty? The only way to find out is by diving into the poems he presents as a mirror.
-Lule ssebo Lule, author of OGENDA WA?
Reviews
There are no reviews yet.